Among the great glories of Hollywood's film production during the
1940s was (and still is) its outporing of singing, dancing (mostly in
Technicolor) musicals about show biz.
Many of these films followed a basic plotline
in which a group of young theatrical hopefuls found itself pulled apart
by the ups and downs of theatrical fortune, not to mention the onset of a world
war, and often a romantic entanglement with a glamorous outsider, before
at last being reunited and reconciled in time for a happy ending at the
final fadeout.
The sparkling world of these movies comes
to life again in THE GREAT AMERICAN BACKSTAGE MUSICAL, recreated by a
hard-working cast of 6 who take us from Greenwich Village to wartime London,
to the battlefields of World War II and back to New York again in one movie- length
act and fifteen musical numbers.
Excerpts from reviews:
HOLLYWOOD
"Los Angeles has a new smash hit,
THE GREAT AMERICAN BACKSTAGE MUSICAL. The book by Bill Solly and Donald Ward
is brilliantly done. Bill Solly's music and lyrics are fresh and biting."
- Bill Edwards, DAILY VARIETY
"Solly and Ward's show does spoof
the old days, but it plays so affectionately that it almost seems to be sighing
for them. The audience goes in prepared to hoot and finds itself strangely touched.
This is a show with a future."
- Dan Sullivan, LOS ANGELES TIMES
LONDON
"So enjoyable it may give nostalgia a good name. Music and lyrics by Bill Solly are impeccably and dottily elegant" - John Peters, SUNDAY TIMES
"A smart small swell little show" - Herbert Kretzmer, DAILY EXPRESS
"Bill Solly's songs are not only beautifully imitated from 1939 music; they would have rated high in it" - B.A. Young, FINANCIAL TIMES
"Recreates the age of jitterbug,
torch song and Broadway vaudeville in a series of numbers that land right on
target. The lyrics are often metrically ingenious, and the music is at once
very knowing and bursting with exuberant innocence. There are no duds."
- Irving Wardle, THE TIMES
GOODSPEED
"Lush tunes Bill Solly's songs are never banal. Solly and Ward wisely avoid the gee whizz school of musical comedy. This show not only has a heart but, more importantly, a soul." - Jay Newquist, NEW HAVEN REGISTER
"Entertainment pure and simple. You get involved with the characters and you are always entertained. The score is not only refreshing, it is just plain wonderful." - Tim Holley, BRIDGEPORT POST
NEW YORK
"Bill Solly and Donald Ward, co-authors of the long-running BOY MEETS BOY, genuinely love the vintage shows they spoof, and skillfully lampoon the old-fashioned formula musical. Bill Solly's songs are clever enough to invite rip-roaring comic performances." - Stephen Holden, NEW YORK TIMES
THE GREAT AMERICAN BACKSTAGE MUSICAL
Cast:
Kelly Moran, Banjo, Sylvia, Harry,
Johnny Brash, and Constance Duquette
Songs:
Ba-Boom! ~ Being Made Love To ~ Crumbs In My Bed ~ The End ~
The Girl In Short Supply ~ Going Places ~ I Could Fall In Love ~
I Got the What? ~ News of You ~ Nickel Worth of Dreams ~
On the Avenue ~ Pie and Coffee ~ The Star of the Show ~
When the Money Comes In ~ You Should Be Made Love To
Summary:
In the late 30s, the rumbles of World War II were sounding around the world.
While America was recovering from the Great Depression, Europe saw the shadows
of Hitler and Mussolini strut across the continent.
That era produced a particular type of movie - the backstage musical. Written
as show entertainment, the genre traced the trials and tribulations of countless
struggling writers and artists, who were elevated, virtually overnight, to
the dizzy heights of fame and stardom.
These artfully simple stories were staples of Hollywood in those strife-torn
years. This show is an affectionate look over the shoulder to a time when
the world turned at a slower pace, or so it seemed, and every cloud had a
silver lining. This show is a delightful pastiche of the period filled with
melodies that remain infinitely hummable.
The action opens backstage at Johnny's Bar in Greenwich Village.
For full plot summary consult
www.nodanw.com
For rights to stock and amateur performances of THE GREAT AMERICAN BACKSTAGE
MUSICAL, contact:
Samuel French, 45 West 25th Street, New York, NY 10010-2751
Area code (212) 206-8990
Fax: (212) 206-1429
Cable address: THEATRICAL, NEW YORK
TWO ACT VERSION
A longer unpublished two-act version
of THE GREAT AMERICAN BACKSTAGE MUSICAL is also available. Its narrative contains
several new numbers and new scenes.